Posts Tagged ‘acting auditions’

Break a Leg!

Monday, September 20th, 2010

When it comes to auditions, many of you probably have your own little rituals. During casting calls, many a corridor is crammed with folks hopping, calling their mother and spinning round three times whilst wearing their lucky hula-hoop!

There were simply too many superstitions relating to acting and theatre to fit in here. Here’s just a few of the many theatre superstitions.

* Green, blue and yellow are all, apparently, bad luck! Green perhaps dates from the origins of the outdoor play – wear green and you won’t be seen!

* Unlucky blue is another remnant from a bygone time – dying costumes blue hinted at prosperity (the dye was rather costly), when perhaps the reality was rather different.

* Yellow is the colour of the sun and generally resonates optimism, unless you’re in the theatre and hold true to the belief that the devil was, historically, always depicted in plays in a natty yellow ensemble!

* “Break a leg,” – Good luck.

* “Good luck,” – Bad luck.

There must be some logic or underlying universal principal in there that could be called upon during auditions, casting calls or exams!

The wrong attire can land you in some bad luck – only fake jewellery should be worn, and you apparently should never advertise your own play on your clothes, and never use peacock feathers as an adornment.

No matter what your superstitions, unless you’re 18 years old or over, our service is unavailable to you (£1.50 per text with max of three texts per week).

Get Real

Friday, September 17th, 2010

We’ve all seen the Big Brother outtakes of reality TV casting calls and auditions. How do these people think they’ll get through?

The simple fact is, we can never know exactly what the casting director is looking for – except age (we only accept those aged 18 and over at £1.50 per text with max of 3 texts per week).

Perhaps you’re unique, but perhaps they’ve already cast your particular brand of “unique”. The trick is to be as “you” as possible in the hope that there are some shoes waiting to be filled by you.

First of all, don’t lie. If you’re not happy with yourself on a two minute tape or through a ten minute audition, how do you expect to perform and enthral viewers for potentially weeks and weeks? Lying about things like hobbies, background, career and so on will get you nowhere – it all comes out in the end, as we have all seen so many times.

Reality TV casting calls contain one key word – reality. The casting team is interested in you plus reality equals entertainment. An offbeat take on reality is what gets you noticed, but if you have to try to find an angle, you’re maybe preparing for the wrong kind of audition.

As far as appearance is concerned, use your head. A little research should set you in good standing as far as what the best direction is when it comes to clothes and general presentability.

Reality TV casting calls and auditions can be pretty rough going. Think about the emotional pressures before entering into something that could, potentially, alter your entire life.

As Luck Would Have It

Friday, September 3rd, 2010

“Nobody gets justice. People only get good luck or bad luck.” (Orson Welles)

There’s a reason arts professions use the term “lucky break”, and that’s because the recurring role of luck in this great movie of life is perhaps more significant than the best headshots or well-planned outfit. Some of the most eminent stars we love, blog about, watch, live up to and emulate exist as they do because of some sheer bit of luck somewhere.

Harrison Ford, disillusioned with the constant slog of auditions and Hollywood bit-parts, instead opted to train as a carpenter. After completing some work for George Lucas, Lucas called on his acting talents for a role in American Graffiti (1973). Several years of Lucas-fed work ensued until the role of Han Solo, and the rest is frozen in carbonite. Had Ford not all but given up acting for carpentry, he’d never have visited Lucas, and perhaps never have had the chance to appear on our screens, save the world and get the girl!

In terms of the modelling world, Kate Moss was plucked from post-vacation airport boredom in NYC by Storm model agency founder Sarah Doukas in 1988. A day, an hour, perhaps even a minute earlier or later, and one of our most significant fashion icons would just be another, regular girl.

The importance of luck and superstition is well-renowned in the capricious world of the arts, whether for auditions, castings, or model agency applications.

But remember, no matter your luck, you need to be 18 years and over to use our text auditions service (£1.50 per text with max of 3 texts per week).

Acting Auditions For The Record

Tuesday, August 31st, 2010

It is easy to get caught up in the heat of the moment with acting auditions. Whether they went well, or not so well, it can sometimes be hard to remember anything more about them. But if you’re serious about your acting career, you would do well to keep a more balanced view of your auditions.

An audition is often a tense and difficult experience. In order to understand what you have gone through, try to analyze where you think you did well, and where you think you went wrong. Make a note of your thoughts. Be as objective as you can about yourself.

No two auditions are the same. If there were elements you liked or disliked about an audition, or aspects that stood out particularly for you, keep a note of these also. For stage auditions, much will depend on the style of the director himself. Try to assess why she or he auditions in a particular way. Keep a note of their name, the production and the date.

After a few auditions, you will begin to build up a picture of your experiences and your technique. You will be clearer about what you have to offer, and about what might be expected of you in future auditions. All of this helps you in your attempts to ‘land the next part.’

At Audition Now, we text you the latest work opportunities direct to your mobile phone: we’re doing our bit to help you land your next part.

Preparing For Acting Auditions

Monday, August 30th, 2010

There is more you need when going into acting auditions than just a prayer and a rabbit’s foot. As in an actual performance, consistent success depends on the input of a lot of hard work. As the American inventor Thomas Edison said, ‘Genius is one percent inspiration, ninety-nine percent perspiration.’ So it is with preparing for your next acting audition.

When you are called to auditions, try to find out as much as you can about the people you are auditioning for: the more you know, the readier you will be to face them.

You can never be too prepared with your audition pieces: try to ensure you have a sufficient contrast between at least two pieces that should together last no more than five minutes. You may be asked to perform the pieces in a different way, and you will feel confident about this if you know the pieces really well: this is where the ‘perspiration’ really pays off.

Your CV (resume) should be up-to-date and clearly laid out on one single sheet of A4. You should also be ready to hand in a professionally prepared 10×8 portrait headshot. This is an expense, but if the likeness of you is good, it may prove to be an invaluable aide-memoire for the audition panel after the auditions are finished.

Here at Audition Now, we too are working hard finding out about the latest work opportunities, and texting them direct to your mobile phone so you don’t miss your big break.

Extras Work And The Opportunities

Friday, August 27th, 2010

It would be a mistake to think that by doing extras work you will get your big break in the film industry. Long gone are the days when you could fill in as an extra and hope to become a star that way. As an extra you have very little contact with the movers and shakers in a production company; and the work won’t give you much opportunity to shine in front of the camera.

However, if your ambitions are more realistic then there are opportunities for you in doing extras work. For a start, there is the reasonable pay. It is true that you are expected to be on call all day on a shoot, and the day itself may start as early as six in the morning, and not finish till well into the evening; but you will be remunerated correspondingly, and at a basic rate of over £100 a day, enough regular work as an extra can see you through the lean times.

Also, though you may not be discovered as the next big star, conversations happen that can lead to more work, and not just as an extra. All acting work is temporary, and actors as well as directors are on the look-out for future possible colleagues. Take along your CV just in case the opportunity comes up.

Great opportunities for extras work come up with us at Audition Now, and we can text all the latest of them direct to your mobile phone so you don’t miss out.

The Emotional Ups And Downs Of Acting Auditions

Thursday, August 26th, 2010

All acting work requires a considerable degree of stamina, even for those who have just a few lines to say over a whole evening. Few stop to think how much emotional stress can also be involved. Mostly, this is because of the uncertainty of a live performance. There is however the curious paradox that actors may feel most insecure about themselves when they are enjoying their greatest success.

The great British actor Sir Alec Guinness once described acting as ‘happy agony’ and he may be referring to this paradox of mixed feelings. It is certainly odd that what are very painful experiences for actors in professional situations, may also be the work experiences that are the most rewarding for them.

This is not dissimilar to what many actors feel in acting auditions. Here, the confidence that an actor may gain from a four-week rehearsal period, is not available: he or she has just minutes to create a rapport with the audition panel.

This is an acute form of ‘happy agony’. At this most testing time, when you feel most vulnerable and insecure, you may very well feel empowered to give of your best. To ensure this, of course, you have to be extremely well prepared. But the satisfaction of a good audition, despite the anxieties, can itself be very rewarding.

Here at Audition Now we keep you informed of all the latest acting auditions; helping you into those situations where you can give your best.

Extras Work For The Trained Actor

Monday, August 23rd, 2010

When you are starting out as an actor, it can be an eye-opener, as well as a money-spinner, to do a bit of extras work.

Very often this is work that film and TV companies are happy to have untrained people do: as ‘background artistes’ the last thing that is wanted is for the real-life backdrop to a scene to pull focus from the main action in the foreground. Often non-actors are as adept as actors at being invisible.

Sometimes, however, it can be advantageous to have specialised skills. Not only does it help out the production company, but it can also bring you some extra money. This may be where a car needs to be driven in shot, or a small piece of dialogue has to be said. These are the most basic examples, but it can happen that particular stage skills that you have acquired in your training as an actor turn out to be useful on set.

Some actors make it a rule for themselves never to take on extras work. Others are less ‘hardline’. It can however be worth your while if you are starting out on your career, if only because it is an insight into the basics of working onscreen. At £100 or more a day, it is also one way to ‘keep the wolf from the door.’

At Audition Now we offer you access to all the latest opportunities to work as an extra, texting you direct to your mobile phone.

Timing At Your Acting Auditions

Friday, August 20th, 2010

Good timing is an important part of good acting, but it is not just about delivering a line, or getting a laugh. Getting your timing right applies as much to mundane things like not being late for your next acting auditions, or even being in the right place at the right time.

Another important rule is not to outstay your welcome. As the Bard says. ‘Brevity is the soul of wit.’ There is nothing worse for an audition panel than to feel that an auditionee has run out of ‘tricks’ but is still hogging the limelight.

When you come to choose your pieces for auditions, you must consider how to offer contrasting styles of performance, whether tragic and comic, or classical and contemporary; you should also think about how to keep the speeches brief. The optimum is to offer material that displays a wide range of expression or of emotion, in a relatively short space of time. This derives from the old stage rule that it is better to have your public wanting to see more of you, than to have them wanting to see the back of you.

There are many little ways in which you can tweak your audition material to your advantage – keeping it brief is just one example – and help yourself enjoy the audition process. Here at Audition Now we also think timing is important. We keep you up-to-date with all the latest acting opportunities by texting them direct to your mobile phone.

Making An Impression At Acting Auditions

Wednesday, August 18th, 2010

As well as taking along some prepared speeches for your acting auditions, you need to be able to supply both a CV and a headshot of yourself, so that your audition panel can easily recall both your experience and your looks.

It is worth putting care into your portrait photo. Usually it will be a 10×8 black and white picture of you from the shoulders up. This is not something you should leave to a friend to take: a professional not only helps compose the picture successfully, but he or she will also help you to relax and look your best. A tip: as you look direct into the camera lens, imagine yourself looking ‘through’ the camera and greeting an old friend: this is known to give warmth to a person’s expression, and will have a striking effect on audition panels.

A professional will perhaps be able to advise you on what to wear, as well as giving you guidance on accenting your unique facial characteristics. It can be useful to replicate the portrait to postcard size, with your name and contact details on the front, to send out as invitations to see your latest work, whether to agents or casting directors. This is another reason to ensure that the portrait is of the highest quality. You want your image of yourself to last.

At Audition Now, we help you access all the latest acting auditions so that your talent and looks can make a lasting impression.