Posts Tagged ‘acting opportunities’

In the Right Place for Acting Auditions

Friday, October 29th, 2010

It often happens that actors feel that they are in the wrong place at the wrong time. They recognise that some of the best acting opportunities pass them by because the auditions are held on the other side of the country, and they don’t know about them. This can happen whether you are represented by an agent or not.

If you are prepared to travel to acting auditions, and to work away from home, then you may find you have many more performance openings than you thought.

The major cities across the UK, such as Cardiff, Manchester, Newcastle and Glasgow, all boast well-established theatre companies that are constantly on the look-out for fresh talent. In addition, and particularly if you are more inclined to work in musicals, there are London-based companies that send tours out across the country, with many opportunities for longer-term contracts.

Some of this work may be advertised nationally in trade magazines and papers such as The Stage, but as often as not, acting auditions and casting calls for the provincial companies don’t make it into the national press. This can make it hard for you to keep tabs on auditions that may be coming up, which in turn means you may be missing out on excellent acting opportunities.

At Audition Now, we have access to a wide network of contacts in the theatre industry. We can therefore help keep you fully informed of a high volume of work possibilities across the country.

Acting Auditions For The Record

Tuesday, August 31st, 2010

It is easy to get caught up in the heat of the moment with acting auditions. Whether they went well, or not so well, it can sometimes be hard to remember anything more about them. But if you’re serious about your acting career, you would do well to keep a more balanced view of your auditions.

An audition is often a tense and difficult experience. In order to understand what you have gone through, try to analyze where you think you did well, and where you think you went wrong. Make a note of your thoughts. Be as objective as you can about yourself.

No two auditions are the same. If there were elements you liked or disliked about an audition, or aspects that stood out particularly for you, keep a note of these also. For stage auditions, much will depend on the style of the director himself. Try to assess why she or he auditions in a particular way. Keep a note of their name, the production and the date.

After a few auditions, you will begin to build up a picture of your experiences and your technique. You will be clearer about what you have to offer, and about what might be expected of you in future auditions. All of this helps you in your attempts to ‘land the next part.’

At Audition Now, we text you the latest work opportunities direct to your mobile phone: we’re doing our bit to help you land your next part.

Preparing For Acting Auditions

Monday, August 30th, 2010

There is more you need when going into acting auditions than just a prayer and a rabbit’s foot. As in an actual performance, consistent success depends on the input of a lot of hard work. As the American inventor Thomas Edison said, ‘Genius is one percent inspiration, ninety-nine percent perspiration.’ So it is with preparing for your next acting audition.

When you are called to auditions, try to find out as much as you can about the people you are auditioning for: the more you know, the readier you will be to face them.

You can never be too prepared with your audition pieces: try to ensure you have a sufficient contrast between at least two pieces that should together last no more than five minutes. You may be asked to perform the pieces in a different way, and you will feel confident about this if you know the pieces really well: this is where the ‘perspiration’ really pays off.

Your CV (resume) should be up-to-date and clearly laid out on one single sheet of A4. You should also be ready to hand in a professionally prepared 10×8 portrait headshot. This is an expense, but if the likeness of you is good, it may prove to be an invaluable aide-memoire for the audition panel after the auditions are finished.

Here at Audition Now, we too are working hard finding out about the latest work opportunities, and texting them direct to your mobile phone so you don’t miss your big break.

The Emotional Ups And Downs Of Acting Auditions

Thursday, August 26th, 2010

All acting work requires a considerable degree of stamina, even for those who have just a few lines to say over a whole evening. Few stop to think how much emotional stress can also be involved. Mostly, this is because of the uncertainty of a live performance. There is however the curious paradox that actors may feel most insecure about themselves when they are enjoying their greatest success.

The great British actor Sir Alec Guinness once described acting as ‘happy agony’ and he may be referring to this paradox of mixed feelings. It is certainly odd that what are very painful experiences for actors in professional situations, may also be the work experiences that are the most rewarding for them.

This is not dissimilar to what many actors feel in acting auditions. Here, the confidence that an actor may gain from a four-week rehearsal period, is not available: he or she has just minutes to create a rapport with the audition panel.

This is an acute form of ‘happy agony’. At this most testing time, when you feel most vulnerable and insecure, you may very well feel empowered to give of your best. To ensure this, of course, you have to be extremely well prepared. But the satisfaction of a good audition, despite the anxieties, can itself be very rewarding.

Here at Audition Now we keep you informed of all the latest acting auditions; helping you into those situations where you can give your best.

Opportunities For Extras Work

Friday, August 6th, 2010

If you want to break into doing extras work for film or television, the end of the summer is a good time to find out what opportunities there are for you.

No specialist skills are required for extras work, but there are important rules of working practice to bear in mind. Experience teaches you, for example, the value of allowing plenty of time to get to a day’s shooting. Often the day starts early, and it may well involve getting to out-of-the-way locations. You should plan your transport arrangements in advance, and make allowances for heavy traffic or adverse weather.

You will need to get used to sitting around not doing very much. Individual scenes (‘takes’) may not last more than thirty seconds, but a lot of preparation work goes into deciding camera angles, or supplementing the lighting, so recording to camera actually accounts for a small percentage of time use. For the rest of the time, you may be glad of an engrossing book.

When you are finally required to be filmed, don’t be disappointed if your appearance is for the briefest possible time. You must also remember to keep your contribution as unobtrusive as you can. Unless directed otherwise, your aim is to be seen but not noticed. Any ‘acting’ that pulls focus from the main characters in the scene should be avoided.

Finding extras work can be greatly facilitated for you by us at Audition Now. We seek out all the latest opportunities and text them direct to your mobile phone.

Projecting Yourself At Acting Auditions

Monday, August 2nd, 2010

Actors often feel nervous about acting auditions because they are not sure of the image they project of themselves before the audition panel. You have your contrasting prepared pieces, and you have learned them and prepared them so that you are totally secure – but how do you look?

Sometimes you can ask family or friends to hear you recite a piece, but it is hard to get an objective response from people you know. An objective response is what you will have at auditions, so it is worth your while trying to ascertain that.

A good tip is to video your audition material. This need not involve any great expense, because the quality for you is in the performing – not in the video itself. Try to analyse your efforts as critically as possible. Note the inflection of your voice, note any mannerisms in gesture, and try several versions in different clothing, so that you learn how that affects the final performance. Try to recall exactly how you achieved particular results, so that you can easily replicate that if you think it’s effective.

To paraphrase the Scots poet Robert Burns, you want is to see yourself as others see you. The more you can correlate what you see with what you think you are doing, the surer you will be of your results.

Here at Audition Now we specialise in results; getting all the latest and best casting calls and acting opportunities texted straight away to your mobile phone.